Film

Employment

Resonance (2018)

Audio Engineer and Production Mixer (Spring 2018)

Emerson Productions

Audio Engineer and Production Mixer (2016-2017)

Zephyr (2016)

Audio Engineer and Production Mixer (Summer 2016)

Samples

Each of these projects had unique requirements, and I tried to not influenced by the existing content too much so I could try and develop my own style for each clip.

These sessions were done in Pro Tools, so let me know if you would like to see any of the sessions .


HISS and a ROAR Challenge

Sound Design and Mix

This was my submission to HISS and a ROAR during their first sound design challenge, which was chosen as a winning submission in the competition. The competition required me to design the soundscape of two shots of waves on a beach, purely with a small selection of noise samples provided by HISS and a ROAR.

If you would like to read the article and listen to the other winners, check out this link!


Throw Me To The Dog (2015)

Music Editing

Being one of the most serious films that I have temped, the scoring I used is rather dark, heavy and minimal. With most of the songs being purely piano based, and the few others only having a couple other instruments, I believed that this style conveyed the main character's emotions perfectly while still lending a helping hand to the feel of the entire film. The songs used in this came from Game of ThronesThe Shawshank RedemptionThe Tree of Life, Niklas Paschburg's album Oceanic, and Penguin Cafe's album The Imperfect Sea.


WALL-E (2008)

Sound Design and Mix

This project consisted of doing a complete audio overhaul of the La Vie En Rose scene in the movie WALL-E. For this project, I re-designed the entire sonic landscape of this scene to fit my own style, including all of the ambiences, Foley, vocal utterances, and everything else that this scene required. The original session was also mixed in 5.1 surround sound, but this file was bounced as a stereo version.


The Grand Budapest Hotel (2014)

Music Editing

For this edit, I made use the score to Ratatouille, which I believed shared the same style as Wes Anderson's directing style. Composed by Michael Giacchino, the song "Heist to Meet You" seemed to fit the film just right with some additional editing, leading me to allow plenty of room for dialogue with the use of button endings.